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Opinion
A night at the unintentionally amusing AACTAs
Encore managing editor Brooke Hemphill attends the inaugural AACTA awards and comes away cringing.
Last night the inaugural Australian Academy of Cinema and Television Arts awards were held at Sydney’s Opera House as the Australian film and television community gathered to celebrate the achievements of the past 12 months and those who went along for the ride left vaguely amused, with little thanks to the event’s producers. Read more »
Knocking the summer television model of old
This year’s non-ratings period could signal the dawning of a new era. Steve Molk considers the It’s a Knockout model.
Normally the minute the ratings period ends, viewers switch off the television in droves. There’s usually naught on they’ve not already seen, or some extremely poor sitcom from the US. But this year, Ten have been trying a different approach as they revive a retro favourite. Welcome back It’s A Knockout.
Niche versus mass market: big just isn’t better at the cinema
Chris Murray laments the demise of independent cinemas and the rise of generic shopping centre multiplexes with their get ‘em in, bang ‘em out culture.
Punters visit the cinema for an exciting communal experience, not the ease of parking.
As the multiplex struggles to keep the candy bar traffic flowing, automated cogs pump out digital images and the passionate few who strive to make their independent exhibition houses a cultural beacon (The Ritz, The Astor, Chauvel and so on) face impending doom. It’s an education problem, to be honest. Read more »Confessions of a two screening tragic
For today’s TV viewer, one screen isn’t enough. Steve Molk tells us why networks need to take notice of two screening.
My name is Steve Molk and I like to live tweet television shows. A lot. I get a kick from connecting with people who watch the same programs I do and together we discuss, joke, and in the blood sport that is ABC1’s Q&A, compete to see our tweets on screen. Read more »
A sexy funding solution for an age-old problem
Chris Murray proposes an ingenious plan to help fund local screen productions with the naughty dollar.
It has recently come to light that the Hungarian government has some innovative ideas for supporting their local film industry. By introducing three different taxes, our European friends plan to channel funds into local productions and ailing art house cinemas.
The first tax would apply to local porn websites; another, a three per cent tax on multiplex tickets, to funnel into art house exhibition; and finally a general 20 per cent tax break on foreign productions.
According to Variety, the latter has so far generated a US$98 million injection into the local economy via the miniseries World Without End, The Borgias and feature film 47 Ronin starring Keanu Reeves. This is on top of income from Brad Pitt’s US$125m budgeted zombie flick World War Z which is currently shooting in the Hungarian capital, Budapest. Read more »
No dramas, sadly
If there’s a time that Foxtel’s marketing machine outdoes itself, it’s when it comes to reveal its future year’s programming.
Last night Foxtel made the most of having its hands on the Sydney Opera House for the Australia’s Next Top Model final and announced its plans for 2012 too.
It was a glitzy upfront, attended by media agencies and trade journalists, plus plenty of Foxtel personalities.
But comparing it to last year’s affair, the emphasis appears to have shifted away from local drama. Read more »
Want more Swamp People? Then drop the local content quota
The short-sighted idea of dropping TV networks’ local content quota obligations was put back on the agenda today with ad agency CEO Mat Baxter claiming the safety net can now be removed, because we’re all loving local content.
But Australian programs rating well, and the Australian TV industry thriving are completely different.
Despite the high ratings of Packed to the Rafters and The X Factor, what is the likelihood commercial programmers would keep investing in Australian shows? Slim, Read more »
Fox Studios comes out of hibernation as the bustling screen hub we want to see
A few months back I visited Fox Studios in Sydney to view the filming of a commercial for Earth Hour.
The main thing that struck me (apart from the massively rude security guy on the gate) was how depressingly empty most of the place was.
It was desolate. It had the atmosphere of a business district on a Sunday afternoon rather than the film hub of one of the world’s great cities.
Today though, the feeling is very different. Read more »
If scripts could talk
This week the Screen Producers Association of Australia presented its list of seven projects that it will be putting in the shop window at its conference. But the SPAAmart list omitted the names of the script writers. A member of the Australian Writers Guild offers this alternative version of events.
Trouble is brewing over this year’s SPAA conference, with the scripts selected for the feature film shop window staging a sit-in at SPAA head office.
Wake Up Dead, a particularly fat script, blocked the door of the SPAA lunchroom just before lunch yesterday while other scripts phoned media outlets with a list of demands.
Sci-fi thriller The Room was clearly angry, “I mean, we all wrote ourselves, didn’t we? Read more »
The screen industry should run on ingenuity, not politics
Popcorn Taxi’s Chris Murray suggests a taxi service and pie van could keep the industry moving – an industry that should be founded on ingenuity and creativity rather than politics.
It would seem, based on serial offenders to the numerous blogs in and around the Australian Film Industry, that as a generalisation, filmmakers have a lot of time on their hands.
Balibo widow to face Indonesian court on film ban
Journalist Greg Shackleton’s widow Shirley is in Jakarta to testify before an Indonesia court that is hearing a petition against the banning of Robert Connolly’s Balibo.
“A film should never be banned in a country which is a democracy. Any organisation that tried to ban what the people want to see is making a mockery of democracy,” said Shackleton.
Shackleton told the AFP that she was nervous because she’d be “cross-examined rather fiercely” in court, and dismissed the official Indonesian version that the Balibo five died in crossfire.
“This is about the film and the rights of the people here to watch, think, believe and say what they want, not what the government wants them to do. This film lets the cat out of the bag, you can’t keep it quiet any longer, the cat escapes. They have made a problem if they want to censor the film. I trust the Indonesian people to make up their own mind,” she added.
The Indonesian Government banned the film in 2009, but the Alliance of Independent Journalist has challenged the decision.
“Tomorrow is a lot bigger than only a trial about a film. This is Indonesia on trial in front of the whole world because democracy does not tell you what to think or watch or fear,” said Shackleton.
Update, 09/07/2010: The Sydney Morning Herald reported that Mrs. Shackleton faced “limited questions”, with judge Guruh Jaya Saputra asking her to provide ‘yes’ or ‘no’ answers and interrupting her description of how the Balibo Five were killed, by saying “Enough, we know it already”.
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Comments
13 Jul 10
8:03 PM
This shameful episode in history has to be kept in the limelight, especially so for the younger generation who probably know nothing about what happened in 1975 and in later years. Channel 7 and 9 should step up to the plate by using the medium of their current affairs programs to keep this issue alive in the minds of all Australians and the world. After all, it was their former employees who paid the ultimate price for truth.
14 Jul 10
1:37 AM
Hi Robert, my cousin John is the son to one of these journalists that were brutally murdered. The issue in that regard is that yes our current affairs programs should be getting the real truth out. To ban Balibo (Robert Connelly’s) brilliant film in the very place that this attrocity took place is like banning Rabbit Proof fence here in Australia.
Wouldn’t it be amazing to actually see the Australia media stand up for Aussies rather than continue to knock them down and ignore them.
Look at some of our greatest Journalists like John Pilger who has to work in the UK to get his work seen around the World. In Australia he would be hit with the tall poppy of this industry and shunned like ALL of our other successful talents.
Robert, it is people like you that bring attention to this story that can change the way we move on this story. These are Aussie blokes that were over there doing their job. The networks spend millions of dollars to get exclusives of Drug Trafficker Shapel Corby but completely leave their own journo’s who have been murdered out of their own network round table.
Yep, we live in a great country that so many people have died to protect. Seems that most people these days would rather spend their money on voting people off their favorite reality show than giving a damn about human life.
14 Jul 10
2:19 AM
Just shows how ashamed Indonesia is!
It’s a disgrace what happen to Balibo 5.
5 young Australians that were excited for
No real reason!
14 Jul 10
8:07 AM
I lived in and worked in the media in Jakarta for 6 years and unfortunately, the majority of Indonesians are also more interested in voting people off Indonesian Idol, X Factor etc. Even if the film did make it to cinema’s, the government ‘Censor’ will probably change the subtitles or cut-out scenes they don’t want the nation to see. Indonesians themselves know this, and they think its quite funny when it happens. They did it with DaVinci Code with the scenes discussing anti-religious views. I know Davinci Code content is nothing as serious as Balibo – just an example. Im not sure if Indonesians are aware of the Balibo atrocity, but if they did, like all genocides in indonesia, they probably don’t really care as they have atrocities like this frequently (tsunami’s, plane crashes etc)…. And are maybe also a bit weary of westerners telling them what to do/watch etc.
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