Busy RSP on the recruitment drive
(6-Feb-2008)
Adelaide and Sydney-based VFX house Rising Sun Pictures (RSP) has made numerous staffing additions in the midst of a busy spell which sees it working on shots for a host of features including the Fox pictures Wolverine and Australia.
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FSM appoints two new colourists
(23-Jan-2008)
Sydney post and VFX house Frame, Set & Match has appointed two new senior colourists in the form of Crash Carlucci, who arrives from Los Angeles, and Billy Wychgel from Amsterdam.
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The Lab restructures with new creative studio
(7-Nov-2007)
The Lab Sydney has established a new creative studio as part of a strategy intended to strengthen the Omnilab Group flagship’s offering of post services to the respective film and television and advertising markets.
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Park Road adds second 4K suite
(31-Oct-2007)
Wellington post facility Park Road Post is set to a second Quantel 4K Pablo suite for its Quantel 4K Pablo, iQ, Pandora and Spirit Telecine digital intermediate offering.
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FSM upgrades to HDV, secures US series
(31-Oct-2007)
Sydney post house Frame, Set & Match has invested in the latest Final Cut Pro HDV suite in order to offer HDV to HD finishing for commercial and long-form projects.
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Monksfield back at Cutting Edge
(10-Oct-2007)
Cutting Edge’s former engineering manager, Stuart Monksfield, has re-joined the company after a two year period working for Thomson Grass Valley in Frankfurt, Germany.
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‘Tender’ journey inside a time machine
(11-Sep-2007)
Local film noir The Tender Hook employs archival footage and subtle post production techniques to blur the old and new.
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Anderson to replace Millar at Cinevex
(29-Aug-2007)
Ian Anderson will take over as general manager of Melbourne-based film laboratory Cinevex in September, following Grant Millar’s decision to retire.
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Back to the future
(1-Aug-2007)
After enlisting Atlab to undertake Australia’s first 4K digital intermediate (DI) on Ten Canoes, Rolf de Heer upped the stakes for his latest film Dr Plonk.
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Quickening the pace
(18-Jun-2007)
Editor Martin Connor read an article a few years ago about ‘rapid movement’ as an optical phenomenon that affects the central nervous system – and the fact that humans essentially find it compulsive and very exciting.
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Oktober bought by Omnilab
(21-Mar-2007)
The Omnilab Media Group has stepped in to purchase Auckland-based high-end visual effects facility Oktobor, which looked set to go under following the collapse of its parent company Silverscreen Productions.
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It’s a wrap on ‘My Country’
(7-Feb-2007)
Odette Best’s short film My Country is now in post following a five-day shoot in and around Brisbane commencing on January 29.
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